Gracie Abrams is trading her microphone for a movie camera.
The Grammy-nominated singer-songwriter, known for emotional hits like “I Love You, I’m Sorry” and “That’s So True,” is stepping into uncharted territory with her first acting role in an upcoming A24 film.
Director Halina Reijn, fresh off her success with Babygirl, will helm the project titled Please—and details are being kept tantalizingly under wraps.
But sources suggest this period female drama will continue Reijn’s exploration of edgy romance, promising the same bold storytelling that made Babygirl a conversation starter.
From Arena Tours to Film Sets
Abrams just wrapped her first solo arena tour across North America after opening for Taylor Swift on the Eras Tour—an experience that catapulted her into mainstream consciousness.
Now she’s ready to channel that performance energy into something entirely different. And apparently, she’s been thinking about it for a while.
Just last week at Chateau Marmont, where she attended a Chanel event celebrating their new Coco Crush fine jewelry collection, Abrams hinted at her acting ambitions when asked about potential projects on the horizon.
I love a group project. The concept of being on a set is as thrilling as being on tour where everyone who’s there is there for a reason. These kind of creative environments are so incredibly inspiring to me. So yeah, who knows? We’ll see. We’ll see.
Turns out, she knew exactly what was coming.
Creative DNA Runs Deep
Acting might seem like new territory for Abrams, but creativity is practically encoded in her DNA.
She’s the daughter of filmmaker J.J. Abrams—the mastermind behind Lost, Star Wars: The Force Awakens, and countless other projects—and executive Katie McGrath. Growing up in that environment likely gave her unique insight into filmmaking long before she ever considered stepping in front of a camera herself.
That background could prove invaluable as she navigates her first major acting role under Reijn’s direction.
A Power Team Behind the Scenes
Reijn isn’t just bringing Abrams into the fold—she’s assembling a proven creative team for Please.
Producer David Hinojosa, who backed A24’s 2025 hit The Materialists, will produce the film. This marks his third collaboration with Reijn following Babygirl and Bodies Bodies Bodies.
Reijn herself will produce through her Man Up Film banner, while A24 handles both production and financing. Zach Nutman joins as executive producer, rounding out a team with serious indie cred and commercial appeal.
What to Expect from Please
Plot details remain closely guarded, but industry insiders describe Please as a period female drama that continues Reijn’s signature approach to provocative romance.
If Babygirl is any indication, audiences can expect:
- Complex female characters navigating desire and power dynamics
- Unflinching exploration of sexuality and emotional vulnerability
- Period setting that adds historical context to contemporary themes
- Psychological depth that challenges conventional romance narratives
Reijn has proven herself adept at creating spaces where women’s desires drive the narrative forward—uncomfortable, messy, and unapologetically real.
Music Remains Her First Love
Despite this exciting new chapter, Abrams isn’t abandoning her musical roots.
She’s currently working on new music expected to drop sometime in 2026, and she’s calling it her strongest work yet. At that same Chanel event, she opened up about the upcoming project with genuine enthusiasm.
It’s definitely my favorite music I’ve ever made, and I feel very closely connected to it. I appreciate so much that these albums are time capsules of where I’m at in my life at any given point, but right now it does feel very like me. I hope that whoever finds it, connects with it and that they make it theirs when it’s out one day.
Her music has always been deeply personal, documenting emotional landscapes with raw honesty. That same vulnerability could translate beautifully to screen work, especially in Reijn’s hands.
The A24 Advantage
Landing at A24 for her acting debut is a significant advantage for Abrams.
The studio has become synonymous with boundary-pushing independent cinema that launches careers and redefines genres. From Lady Bird to Everything Everywhere All at Once, A24 projects often become cultural touchstones.
Their track record with musician-turned-actors is solid too—think Harry Styles in Don’t Worry Darling and various projects featuring artists who successfully made the crossover.
Why This Move Makes Sense
Abrams’ transition to acting feels natural rather than forced.
She’s already proven herself a skilled storyteller through her songwriting, crafting narratives that resonate with millions. Her live performances demonstrate comfort with vulnerability and emotional expression—critical skills for any actor.
Plus, her understanding of collaborative creative environments means she likely knows what she’s getting into. She’s not approaching this as a vanity project or publicity stunt, but as someone genuinely drawn to the craft.
The “group project” aspect she mentioned at Chateau Marmont reveals someone who thrives in ensemble environments where everyone contributes their expertise toward a shared vision.
What’s Next
Production timelines for Please haven’t been announced, but with Reijn writing and directing, Abrams can expect a collaborative process that prioritizes authentic performance over star power.
Reijn’s previous work shows she knows how to coax nuanced performances from her cast, creating psychologically complex characters that linger long after credits roll.
For fans of Abrams’ music, this acting debut represents an exciting evolution rather than a departure. Artists who work across mediums often find their different creative practices inform and strengthen each other.
Whether Please launches a full-fledged acting career or remains a fascinating one-off experiment, Gracie Abrams is proving she’s not content to stay in one creative lane. And with a director like Reijn guiding her first steps into cinema, she’s positioned for a debut that could surprise everyone—maybe even herself.