At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Chemistry That Can’t Be Faked
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Chemistry That Can’t Be Faked
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
He compared it to his work on “Bad Santa,” where he had to explain to young actors and their parents that he couldn’t exactly be sweet with kids while playing that particular character.
Chemistry That Can’t Be Faked
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
He compared it to his work on “Bad Santa,” where he had to explain to young actors and their parents that he couldn’t exactly be sweet with kids while playing that particular character.
Chemistry That Can’t Be Faked
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Thornton explained that his codependent nature makes confrontational scenes with close friends particularly tough. Knowing someone personally can make it harder to really go for it in character.
He compared it to his work on “Bad Santa,” where he had to explain to young actors and their parents that he couldn’t exactly be sweet with kids while playing that particular character.
Chemistry That Can’t Be Faked
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Thornton explained that his codependent nature makes confrontational scenes with close friends particularly tough. Knowing someone personally can make it harder to really go for it in character.
He compared it to his work on “Bad Santa,” where he had to explain to young actors and their parents that he couldn’t exactly be sweet with kids while playing that particular character.
Chemistry That Can’t Be Faked
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Some of the hardest stuff I had to do was when I had to be abrupt to, or even mean with, Sam Elliott. Sam and I are old, old friends. He’s been like a pop to me since I’ve known him in the ’80s.
Thornton explained that his codependent nature makes confrontational scenes with close friends particularly tough. Knowing someone personally can make it harder to really go for it in character.
He compared it to his work on “Bad Santa,” where he had to explain to young actors and their parents that he couldn’t exactly be sweet with kids while playing that particular character.
Chemistry That Can’t Be Faked
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Some of the hardest stuff I had to do was when I had to be abrupt to, or even mean with, Sam Elliott. Sam and I are old, old friends. He’s been like a pop to me since I’ve known him in the ’80s.
Thornton explained that his codependent nature makes confrontational scenes with close friends particularly tough. Knowing someone personally can make it harder to really go for it in character.
He compared it to his work on “Bad Santa,” where he had to explain to young actors and their parents that he couldn’t exactly be sweet with kids while playing that particular character.
Chemistry That Can’t Be Faked
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
It wasn’t action sequences or emotional breakdowns that proved difficult—it was being mean to Sam Elliott.
Some of the hardest stuff I had to do was when I had to be abrupt to, or even mean with, Sam Elliott. Sam and I are old, old friends. He’s been like a pop to me since I’ve known him in the ’80s.
Thornton explained that his codependent nature makes confrontational scenes with close friends particularly tough. Knowing someone personally can make it harder to really go for it in character.
He compared it to his work on “Bad Santa,” where he had to explain to young actors and their parents that he couldn’t exactly be sweet with kids while playing that particular character.
Chemistry That Can’t Be Faked
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
It wasn’t action sequences or emotional breakdowns that proved difficult—it was being mean to Sam Elliott.
Some of the hardest stuff I had to do was when I had to be abrupt to, or even mean with, Sam Elliott. Sam and I are old, old friends. He’s been like a pop to me since I’ve known him in the ’80s.
Thornton explained that his codependent nature makes confrontational scenes with close friends particularly tough. Knowing someone personally can make it harder to really go for it in character.
He compared it to his work on “Bad Santa,” where he had to explain to young actors and their parents that he couldn’t exactly be sweet with kids while playing that particular character.
Chemistry That Can’t Be Faked
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
When asked about his most challenging scene this season, Thornton revealed something surprising.
It wasn’t action sequences or emotional breakdowns that proved difficult—it was being mean to Sam Elliott.
Some of the hardest stuff I had to do was when I had to be abrupt to, or even mean with, Sam Elliott. Sam and I are old, old friends. He’s been like a pop to me since I’ve known him in the ’80s.
Thornton explained that his codependent nature makes confrontational scenes with close friends particularly tough. Knowing someone personally can make it harder to really go for it in character.
He compared it to his work on “Bad Santa,” where he had to explain to young actors and their parents that he couldn’t exactly be sweet with kids while playing that particular character.
Chemistry That Can’t Be Faked
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
When asked about his most challenging scene this season, Thornton revealed something surprising.
It wasn’t action sequences or emotional breakdowns that proved difficult—it was being mean to Sam Elliott.
Some of the hardest stuff I had to do was when I had to be abrupt to, or even mean with, Sam Elliott. Sam and I are old, old friends. He’s been like a pop to me since I’ve known him in the ’80s.
Thornton explained that his codependent nature makes confrontational scenes with close friends particularly tough. Knowing someone personally can make it harder to really go for it in character.
He compared it to his work on “Bad Santa,” where he had to explain to young actors and their parents that he couldn’t exactly be sweet with kids while playing that particular character.
Chemistry That Can’t Be Faked
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
The Unexpected Challenge of Working with Old Friends
When asked about his most challenging scene this season, Thornton revealed something surprising.
It wasn’t action sequences or emotional breakdowns that proved difficult—it was being mean to Sam Elliott.
Some of the hardest stuff I had to do was when I had to be abrupt to, or even mean with, Sam Elliott. Sam and I are old, old friends. He’s been like a pop to me since I’ve known him in the ’80s.
Thornton explained that his codependent nature makes confrontational scenes with close friends particularly tough. Knowing someone personally can make it harder to really go for it in character.
He compared it to his work on “Bad Santa,” where he had to explain to young actors and their parents that he couldn’t exactly be sweet with kids while playing that particular character.
Chemistry That Can’t Be Faked
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
The Unexpected Challenge of Working with Old Friends
When asked about his most challenging scene this season, Thornton revealed something surprising.
It wasn’t action sequences or emotional breakdowns that proved difficult—it was being mean to Sam Elliott.
Some of the hardest stuff I had to do was when I had to be abrupt to, or even mean with, Sam Elliott. Sam and I are old, old friends. He’s been like a pop to me since I’ve known him in the ’80s.
Thornton explained that his codependent nature makes confrontational scenes with close friends particularly tough. Knowing someone personally can make it harder to really go for it in character.
He compared it to his work on “Bad Santa,” where he had to explain to young actors and their parents that he couldn’t exactly be sweet with kids while playing that particular character.
Chemistry That Can’t Be Faked
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Thornton’s character Tommy remained central throughout season two, delivering the same brash brilliance and unfiltered honesty that mirrors Thornton’s real-life personality.
The Unexpected Challenge of Working with Old Friends
When asked about his most challenging scene this season, Thornton revealed something surprising.
It wasn’t action sequences or emotional breakdowns that proved difficult—it was being mean to Sam Elliott.
Some of the hardest stuff I had to do was when I had to be abrupt to, or even mean with, Sam Elliott. Sam and I are old, old friends. He’s been like a pop to me since I’ve known him in the ’80s.
Thornton explained that his codependent nature makes confrontational scenes with close friends particularly tough. Knowing someone personally can make it harder to really go for it in character.
He compared it to his work on “Bad Santa,” where he had to explain to young actors and their parents that he couldn’t exactly be sweet with kids while playing that particular character.
Chemistry That Can’t Be Faked
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Thornton’s character Tommy remained central throughout season two, delivering the same brash brilliance and unfiltered honesty that mirrors Thornton’s real-life personality.
The Unexpected Challenge of Working with Old Friends
When asked about his most challenging scene this season, Thornton revealed something surprising.
It wasn’t action sequences or emotional breakdowns that proved difficult—it was being mean to Sam Elliott.
Some of the hardest stuff I had to do was when I had to be abrupt to, or even mean with, Sam Elliott. Sam and I are old, old friends. He’s been like a pop to me since I’ve known him in the ’80s.
Thornton explained that his codependent nature makes confrontational scenes with close friends particularly tough. Knowing someone personally can make it harder to really go for it in character.
He compared it to his work on “Bad Santa,” where he had to explain to young actors and their parents that he couldn’t exactly be sweet with kids while playing that particular character.
Chemistry That Can’t Be Faked
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Spoiler alert: it’s not what you might expect.
Thornton’s character Tommy remained central throughout season two, delivering the same brash brilliance and unfiltered honesty that mirrors Thornton’s real-life personality.
The Unexpected Challenge of Working with Old Friends
When asked about his most challenging scene this season, Thornton revealed something surprising.
It wasn’t action sequences or emotional breakdowns that proved difficult—it was being mean to Sam Elliott.
Some of the hardest stuff I had to do was when I had to be abrupt to, or even mean with, Sam Elliott. Sam and I are old, old friends. He’s been like a pop to me since I’ve known him in the ’80s.
Thornton explained that his codependent nature makes confrontational scenes with close friends particularly tough. Knowing someone personally can make it harder to really go for it in character.
He compared it to his work on “Bad Santa,” where he had to explain to young actors and their parents that he couldn’t exactly be sweet with kids while playing that particular character.
Chemistry That Can’t Be Faked
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Spoiler alert: it’s not what you might expect.
Thornton’s character Tommy remained central throughout season two, delivering the same brash brilliance and unfiltered honesty that mirrors Thornton’s real-life personality.
The Unexpected Challenge of Working with Old Friends
When asked about his most challenging scene this season, Thornton revealed something surprising.
It wasn’t action sequences or emotional breakdowns that proved difficult—it was being mean to Sam Elliott.
Some of the hardest stuff I had to do was when I had to be abrupt to, or even mean with, Sam Elliott. Sam and I are old, old friends. He’s been like a pop to me since I’ve known him in the ’80s.
Thornton explained that his codependent nature makes confrontational scenes with close friends particularly tough. Knowing someone personally can make it harder to really go for it in character.
He compared it to his work on “Bad Santa,” where he had to explain to young actors and their parents that he couldn’t exactly be sweet with kids while playing that particular character.
Chemistry That Can’t Be Faked
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
The veteran actor sat down with Variety to discuss everything from his toughest moments on set to why Taylor Sheridan’s shows keep getting snubbed at awards ceremonies.
Spoiler alert: it’s not what you might expect.
Thornton’s character Tommy remained central throughout season two, delivering the same brash brilliance and unfiltered honesty that mirrors Thornton’s real-life personality.
The Unexpected Challenge of Working with Old Friends
When asked about his most challenging scene this season, Thornton revealed something surprising.
It wasn’t action sequences or emotional breakdowns that proved difficult—it was being mean to Sam Elliott.
Some of the hardest stuff I had to do was when I had to be abrupt to, or even mean with, Sam Elliott. Sam and I are old, old friends. He’s been like a pop to me since I’ve known him in the ’80s.
Thornton explained that his codependent nature makes confrontational scenes with close friends particularly tough. Knowing someone personally can make it harder to really go for it in character.
He compared it to his work on “Bad Santa,” where he had to explain to young actors and their parents that he couldn’t exactly be sweet with kids while playing that particular character.
Chemistry That Can’t Be Faked
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
The veteran actor sat down with Variety to discuss everything from his toughest moments on set to why Taylor Sheridan’s shows keep getting snubbed at awards ceremonies.
Spoiler alert: it’s not what you might expect.
Thornton’s character Tommy remained central throughout season two, delivering the same brash brilliance and unfiltered honesty that mirrors Thornton’s real-life personality.
The Unexpected Challenge of Working with Old Friends
When asked about his most challenging scene this season, Thornton revealed something surprising.
It wasn’t action sequences or emotional breakdowns that proved difficult—it was being mean to Sam Elliott.
Some of the hardest stuff I had to do was when I had to be abrupt to, or even mean with, Sam Elliott. Sam and I are old, old friends. He’s been like a pop to me since I’ve known him in the ’80s.
Thornton explained that his codependent nature makes confrontational scenes with close friends particularly tough. Knowing someone personally can make it harder to really go for it in character.
He compared it to his work on “Bad Santa,” where he had to explain to young actors and their parents that he couldn’t exactly be sweet with kids while playing that particular character.
Chemistry That Can’t Be Faked
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Billy Bob Thornton just wrapped season two of “Landman,” and he’s not holding back about what really happens behind the scenes.
The veteran actor sat down with Variety to discuss everything from his toughest moments on set to why Taylor Sheridan’s shows keep getting snubbed at awards ceremonies.
Spoiler alert: it’s not what you might expect.
Thornton’s character Tommy remained central throughout season two, delivering the same brash brilliance and unfiltered honesty that mirrors Thornton’s real-life personality.
The Unexpected Challenge of Working with Old Friends
When asked about his most challenging scene this season, Thornton revealed something surprising.
It wasn’t action sequences or emotional breakdowns that proved difficult—it was being mean to Sam Elliott.
Some of the hardest stuff I had to do was when I had to be abrupt to, or even mean with, Sam Elliott. Sam and I are old, old friends. He’s been like a pop to me since I’ve known him in the ’80s.
Thornton explained that his codependent nature makes confrontational scenes with close friends particularly tough. Knowing someone personally can make it harder to really go for it in character.
He compared it to his work on “Bad Santa,” where he had to explain to young actors and their parents that he couldn’t exactly be sweet with kids while playing that particular character.
Chemistry That Can’t Be Faked
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Billy Bob Thornton just wrapped season two of “Landman,” and he’s not holding back about what really happens behind the scenes.
The veteran actor sat down with Variety to discuss everything from his toughest moments on set to why Taylor Sheridan’s shows keep getting snubbed at awards ceremonies.
Spoiler alert: it’s not what you might expect.
Thornton’s character Tommy remained central throughout season two, delivering the same brash brilliance and unfiltered honesty that mirrors Thornton’s real-life personality.
The Unexpected Challenge of Working with Old Friends
When asked about his most challenging scene this season, Thornton revealed something surprising.
It wasn’t action sequences or emotional breakdowns that proved difficult—it was being mean to Sam Elliott.
Some of the hardest stuff I had to do was when I had to be abrupt to, or even mean with, Sam Elliott. Sam and I are old, old friends. He’s been like a pop to me since I’ve known him in the ’80s.
Thornton explained that his codependent nature makes confrontational scenes with close friends particularly tough. Knowing someone personally can make it harder to really go for it in character.
He compared it to his work on “Bad Santa,” where he had to explain to young actors and their parents that he couldn’t exactly be sweet with kids while playing that particular character.
Chemistry That Can’t Be Faked
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.
Billy Bob Thornton just wrapped season two of “Landman,” and he’s not holding back about what really happens behind the scenes.
The veteran actor sat down with Variety to discuss everything from his toughest moments on set to why Taylor Sheridan’s shows keep getting snubbed at awards ceremonies.
Spoiler alert: it’s not what you might expect.
Thornton’s character Tommy remained central throughout season two, delivering the same brash brilliance and unfiltered honesty that mirrors Thornton’s real-life personality.
The Unexpected Challenge of Working with Old Friends
When asked about his most challenging scene this season, Thornton revealed something surprising.
It wasn’t action sequences or emotional breakdowns that proved difficult—it was being mean to Sam Elliott.
Some of the hardest stuff I had to do was when I had to be abrupt to, or even mean with, Sam Elliott. Sam and I are old, old friends. He’s been like a pop to me since I’ve known him in the ’80s.
Thornton explained that his codependent nature makes confrontational scenes with close friends particularly tough. Knowing someone personally can make it harder to really go for it in character.
He compared it to his work on “Bad Santa,” where he had to explain to young actors and their parents that he couldn’t exactly be sweet with kids while playing that particular character.
Chemistry That Can’t Be Faked
Despite the challenges, Thornton praised the cast’s remarkable chemistry.
While he shares decades-long friendships with Elliott, Andy Garcia, and Demi Moore, newer cast members like Ali Larter, Michelle Randolph, Jacob Lofland, Kayla Wallace, and James Jordan clicked instantly.
Somehow we had a chemistry that was there from day one. It’s also a tribute to Taylor, because he knows who to cast and for what part. He really does.
Thornton highlighted Sheridan’s unique writing ability: creating distinct voices for each character rather than making everyone sound the same.
Fighting On Screen, Friends Off Camera
The electric confrontation scenes between Thornton and Andy Garcia became season highlights.
But how do two old friends generate that kind of authentic tension?
According to Thornton, it’s easier than you’d think—at least with Garcia.
Andy and I are both sort of known for that. I grew up as an actor doing that, and so did he. Andy probably improvised more than I did in the scenes that we did.
While they stuck primarily to Sheridan’s script, both actors threw in improvised moments. Garcia’s idea to putt in his office during one heated conversation added another layer of character tension.
The key difference? Confrontations with Garcia involve adrenaline and nemesis energy, making it easier to forget they’re buddies. Scenes with Elliott are more personal and sedated, requiring a different emotional approach.
Why “Landman” Became an International Phenomenon
The show’s global success caught everyone off guard.
Initially expected to appeal mainly to Middle America, “Landman” exploded across continents—from Africa to South America, Canada to Australia, England and beyond.
Thornton believes he knows exactly why.
I think a lot of it is because the characters are unabashedly who they are. I think people like it that we just say and do whatever we do. There’s no walking on eggshells because we’re worried of what someone’s going to think.
Viewers appreciate seeing characters exercise freedom they might not have in their own lives. The show also offers something rarely portrayed: an authentic peek behind the curtain of the oil business.
The Awards Conversation Nobody Wants to Have
Despite massive success, Taylor Sheridan’s shows often get overlooked during awards season.
Thornton didn’t mince words about why.
I think a lot of it’s political. I really do. I think some people assume Taylor is some sort of right-wing guy or something, and he’s really not.
He emphasized that “Landman” doesn’t push a political agenda about oil. It simply shows what life is like for people in and around that industry—their problems, joys, triumphs, and uncertainties.
Why Acting Isn’t a Sport
Thornton then delivered perhaps his most powerful statement about awards culture.
Acting is not a sport. If you run the 100-meter dash in the Olympics and you break the tape first, you win. There’s no question about it. Everybody saw it. How do you say in the artistic world who won? It’s an intangible thing.
He pointed out that any nominee could legitimately win, along with countless other talented actors who weren’t nominated or even present.
His philosophy on recognition? If you put your heart and soul into something you love, feel satisfied with your work, and it succeeds within the project—that’s your award.
I’m too damn old now to worry about stuff like that. I got enough awards. I’m good. I’m sure the people that I work for or work with me don’t like to hear that. But I guess when I said I’m too damn old, I guess I’m too damn old to not tell the truth.
At this stage of his career, Thornton has clearly decided that honesty matters more than industry politics. Whether discussing difficult scenes with dear friends or calling out awards bias, he’s committed to telling it exactly like he sees it—just like Tommy would.